Music, Writing

Review of Lucinda William’s 2011 album, ‘Blessed’ published in Reverb Magazine

Marriage has apparently mellowed her but you wouldn’t know it from the tone of the songs on Lucinda William’s latest. They still excoriate, castigate and scorn as blithely as ever – and in as poetic a vein. Daughter of a nationally renowned poet who read his work at Bill Clintons second inauguration, Williams’ apparently effortless songwriting template has again produced a collection of  enduring classics delivered in her sublimely harrowed voice. Production is exquisite, Don Was steering a well-oiled machine with Elvis Costello donating gentlemanly, if sometimes suitably reckless guitar work.  On first lesson the album handles like its predecessors, never straying too far from the ‘Car Wheels’ handbook, but inevitable repeats leads to an understanding that you are listening to a ineffable mastery of modern songwriting.

Bootless and Unhorsed, Music

Ed Kuepper interview for Reverb magazine, March 2011

Ed Kuepper claims he’s ‘difficult to work with’. But that hasn’t stopped him from founding the Saints, the Laughing Clowns, recording dozens of influential albums and recently, joining the Bad Seeds, possibly the most important band of the past 20 years, as guitar-slinger. On the eve of a national tour with Laughing Clowns drummer Mark Dawson, he reflects on the convoluted artistic process that has brought him to this point.

“I take what I do fairly seriously, I know that can be a kind of , a pain in the arse to people if they’re just trying to have a great time. Hopefully I don’t wallow in too much artistic angst while I’m onstage.

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Music, Publicity jobs

Christian Pyle, ‘Nothing Left to Burn’ album review

Christian Pyle, the North Coast’s most respected, irreverent and unconventional songwriter and producer, releases his new album, Nothing Left to Burn at the Buddha Bar on June 12th, supported by M Jack Bee and Sara Tindley.

It’s a vibrant, intelligent album bristling with verve, paranoia, anger and joy. Not for the faint-hearted, this oughta be the gig of the year.

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